"‘In the winter dusk, at successive stations, we peer out to see the wives waiting behind steering wheels, children scuffling in back seats. Daddies descend and are met. Each set of participants knows only of its own little scene … Each welcomed father ought not to learn of the existence of dozens of others along the line, any more than a prisoner should hear of the execution of his fellows.’" Joe Moran on "Notes from Overground". This sounds great.
“Cartography used to be both an art and a science. I wanted to return to that.” This was my present to myself, as a souvenir, from SF. Looking forward to reading it properly – especially all the areas I never had a chance to visit – and can already confirm the maps are gorgeous. But really, it's about the whole package.
"If thousands and thousands of people are making games, then it's entirely unimportant if 99% of them are absolute garbage. That top 1% will still consist of plenty of games for us to play, and they'll be great." Lots of great quotations in this smart post from Bill Harris; this is just one, but I recommend the whole thing.
18 August 2008
I wrote a response in a comment on Leigh Alexander’s post at Sexy Videogameland on the “Four Month Bell-curve”, and felt it only fair to reproduce it here, given it’s touching on some ideas I’ve been batting around for a while. And, also, because back before we had comments, we used to respond to each other like this.
Well, sometimes the problem [with the drop-off in interest after you play a game after launch] is that the game changes.
With GTAIV, there are three phases to the player’s relationship with the city. To begin with, you have the shock-of-the-new: a whole world you’re washed up in, lost, just like Niko. You empathise with how lost Niko is, and you slowly learn to love Liberty City.
The second phase is feeling like you fit in – you know the shortcuts, you don’t always need the GPS, and you take pride in every minute you shave off journey time. This is what it felt like a while after moving to London – I felt native, rather than fumbling around like a tourist.
And then you hit this final phase, where you’re no longer even thinking about the neat shortcuts; you’re just picking up the mission, going where you gotta go.
That’s just commuting. And GTAIV turns into commuting about 1/2 to 2/3 of the way through, really. I still love the city, but man, it feels like work.
I’ve recently started World of Warcraft, and bits of that game turn into commuting very, very fast – even though I’m still going “wow” at all the new locations my friends charge through.
I don’t know; I think there’s something about the higher fidelity that makes me concentrate on the artifice to begin with, and only when I tire of the artifice is the game stripped back to raw mechanics.
To use your Sonic example – the distance between the raw mechanic and the artifice is much smaller than say, in GTAIV or Bioshock – and so the “commuting” phase never really kicks in. The game is so focused on making you enjoy the act of being in it, stripping away unnecessary walking between Acts or menu interfaces… it’s an easy game not to tire of. By contrast, I find I tire of games more easily than I used to.
But there’s still joy to be had going back. I went back to Bioshock a few weeks ago and have ploughed through the final 75% of the game – and am about to finish it. I’m really enjoying it, and I think being a way from the hype cycle has helped that. I’m looking forward to doing the same to GTA in the near future.
And, in the meantime, I’ve found staying out of the bellcurve – the hype cycle, if you like – has helped me enjoy games like never before. It’s lovely to be surprised by a new game – something we miss out on a lot now.