Appealing UX at tourfilter

03 January 2007

I was, partly in jest, invited to join tourfilter by a friend today. What started as an elaborate social-networking joke turned into a really positive piece of user-experience I wanted to document.

What I wanted to share was the sign-up process. Normally, with social-networking sites, you have to endure some form of semi-elaborate sign-up before you’re allowed in… and then you start having to ram content in. Tourfilter neatly turns that on its head.

Tourfilter is a site that scrapes listings pages for information about your favourite bands, generating emails, RSS, or iCalendar files to keep you up-to-date. It’s a really simple, single-minded site that gives music fans personalised listings.

For a new user, there’s a form on the left of the homepage with a large textarea, in which you write the names of bands you like. I entered one band name… and via Ajax, a huge list appeared to the right of the field, of other bands I might like. Of course, I did, so I started clicking on some of them to add them to my form… and the process slowly became addictive. Pretty soon, I had a long list of bands I’d be potentially interested in seeing in London. The Ajax made it very compelling, and pretty quick. And, of course, the more bands I added, the more useful the fly-out Ajax list was, because it had better data to compare against.

Underneath the text box are three fields: username, password, and email address. Once you’ve filled them out, all you have to is click the submit button… and your brand new account is created, with all the information you’ve just filled out.

So tourfilter reverse the customary process: you add your initial data first, and only then create the account. Once you’ve done that, everything’s ready to go. I really enjoyed this experience: the Ajax element quickly showed the value of the site, which only increased the likelihood of me signing up.

I think tourfilter still has a little way to go – sometimes its scraping leaves something to be desired – but still felt its compelling sign-up process was worth commending.

A bit of trust from the Kids

21 November 2006

A few days ago, I ran into my college friend Dave, who (amongst other things) is now running a small, independent record label called Kids. Kids release limited-edition, short-run 7″ singles (at the moment); they’ve got a solid lineup (including Paul Hartnoll’s debut single) and, as I bumped into him, Dave was off to a launch party for KIDS009, the latest Wombats single.

We caught up quickly, and he handed me their previous release, the double A-side of It’s Magnetic and Out on 24s (on clear plastic) from Assembly Now. When I got home, I stuck the 7″ on the record player and listened to both sides – really great stuff, and a band I’ll be keeping my eyes on.

What was really interesting, though, was the piece of paper that fell out of the single when I opened it.

On it was written a small note to say that because I’d bought the single, I was entitled to email somebody at Kids who’d send me details of how to obtain the MP3s of that track – for free.

I love this idea. The short runs of 7″ singles that Kids put out are ideal for a small record label trying to find its feet – reasonably cheap to press, I’d imagine, and which can turn a reasonable profit-per-unit. And for their target market, 7″ are still an acceptable distribution format for singles. But their target market also own iPods – and nothing’s more tedious than ripping vinyl to mp3.

So this pattern really works in their favour: people pay money for the music they want to hear on a format convenient for home, and get the mobile format thrown in – because let’s face it, they’re going to find a way to do that anyhow. The convenience of doing things this way around is a huge bonus, though. I hope other small labels do this sort of thing – it’s relatively little effort and cost on top of the pressing, but it’s a smart idea that’s in tune with exactly how people like to listen to music.

And, of course, I hope Kids continues to thrive as a label.

Do Dirt!

29 June 2006

…and get away clean.

My pal Joey Muck is doing some music/dancing shindig with a few of his pals. “A club night in London’s trendy Clerkenwell”, if you please. 8-2am, tonight – I’m probably leaving well before 2 because nobody appears to have got the message that whilst Thursdays may be the new Fridays, they’re still school nights.

Anyhow. If you like mucky pop, rude raps, sleazy rock, and filthy electro (and god knows I do) get down there tonight and shake some.

(Also, if you’re that way inclined: Do Dirt’s Myspace page)

Beautiful things

19 January 2006

The way the guitar part in The Rakes’ Binary Love sounds like a scratchy 56k modem.

Red wine.

Sleep.

Dancing monkeys in Timesplitters 3

New razorblades on thick facial fuzz.

It’s al been a bit crazy recently; busy at work, fear setting in regarding Etech (which I’m sure will be fine), pressures of sorting out travel to latter, plans for after March. del.icio.us keeps this place busy, and turns the lights out at night.

Radio head

07 October 2005

Another piece of writing in the New Statesman; this time, a review of the Le Placard international headphones festival.

About 40 people are sprawled on the floor, or on an array of battered chairs and sofas. Along one wall is a row of desks and tables, behind which sit a handful of unshaven young men, backlit by Anglepoise lamps, fiddling with laptops, mixing desks and a wind-up shortwave radio. Naturally, I can’t hear any of it. So I sit down at a table and try to plug in my headphones.

Read the whole article.

The Shadow Percussion Project

23 September 2005

OK, this is my new favourite thing on the internet this week: the Shadow Percussion Project [details from Musicthing]. Enterprising young percussion teacher teaches his high-school percussion group to play live arrangements of tracks from DJ Shadow’s Endtroducing…; the result is awesome. Building Steam With A Grain Of Salt works better than Changeling IMHO, but that’s only because I like it more as a track; the drummer gets the chopped-drum-break about two minutes in down to a tee. [61mb wmv file at the other end, but well worth it]

Akai S3000XL sampler for sale

04 September 2005

Let’s take a long shot: is anyone interested in buying an Akai S3000XL sampler in pretty good condition? It’s expanded with a full 32mb of memory, it has the customary 8 outs, and I’ll also throw in a SCSI 100mb Zip Drive and an untested SCSI CD drive. I’ve also got the latest OS disk for it, and a full manual. The screen is in fairly good condition – not like it was when new, but not in need of a new backlight yet.

If you’re interested, email me. Ideally, London area. Will update with pictures soon.

RIP Doctor Bob

22 August 2005

Bob Moog died. A real pioneer, who made not only revolutionary instruments, but beautiful instruments. Still, what a legacy.

New look last.fm

09 August 2005

last.fm redesigns. It’s lovely – clear, sans-serif, white goodness, with a pleasant deep red as highlight and a beautiful, curvaceous logotype. Plus, the rounded bar-charts on the user home pages kick ass. Love it!