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"I thought this was a fascinating take on the need within companies for stories… Companies spend a lot of money looking for these stories. Traditional product companies had to ask people and users to tell their stories, normally through market research. Web companies are at a huge advantage: they have rivers of usage data flowing through their servers, and the problem inverses – how to make sense and tease out meaning and interest from such a torrent." This is very good; I'm looking forward to future installments.
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"If Ferelden has room for priests, elves, mages and golems then why doesn’t it have room for sceptics and scientists too?" Lovely notion – roleplaying an aetheist in Dragon Age (as best possible within the game). In this case, the player character believes in magic, but not in the montheist religion that much of the world ascribes to; miracles are really just magic at work. Subsitute "magic" for "science" and you begin to see his point. It's a nicely thought-through piece.
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"The closer has confounded hitters with mostly one pitch: his signature cutter." Lovely motion infographics – informative, and powerfully confirming the narration.
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"The move during the past 10 years or so has been from cameras being precision mechanical devices to molded polycarbonate containers for electronic components. This has meant a lowering of overall physical quality. What one gets in terms of features, functions and image quality is higher than ever before, but the satisfaction of owning and using a high quality mechanical and optical device has for the most part evaporated. Only the top models within any brand produce a tactile satisfaction and please one's esthetic sense." The quotation is from Michael Reichmann; the discussion that follows is as thoughtful as usual from TOP's readers.
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And, with their 119th update, Valve helpfully included the list of all their previous patches, as well. Just look at the amount that's changed – and how swiftly. A proper, living game (unlike the stillborn 360 version). Can't wait to play it on the Mac; it's almost like a different game to the one I played at the beginning.
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"Ben Gimpert is a friend of the Open Library. He and I got together over lunch a few months ago to talk about big data, statistical natural language processing, and extracting meaning from Open Library programmatically. His efforts are beginning to bear some really interesting fruit, and while we work out how we might be able to present it online, we thought you might be interested to hear what he’s been up to." Answer: good things. Ben is awesome, and this work sounds great. (I can't quote a suitable passage, so George's intro will have to do).
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A few short tips on find; one of the bash tools I use least, and should probably use more.
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"Diller, Brill, and Murdoch seem be stating a simple fact—we will have to pay them—but this fact is not in fact a fact. Instead, it is a choice, one its proponents often decline to spell out in full, because, spelled out in full, it would read something like this: “Web users will have to pay for what they watch and use, or else we will have to stop making content in the costly and complex way we have grown accustomed to making it. And we don’t know how to do that.”"
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"Ben O'Steen's talk from OKFN; lots of nice little things in here about preserving data and opening it up into a variety of forms."
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"Lazy loader is a jQuery plugin written in JavaScript. It delays loading of images in (long) web pages. Images outside of viewport (visible part of web page) wont be loaded before user scrolls to them." Handy.
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"ASBOrometer is a mobile application that measures levels of anti-social behaviour at your current location (within England and Wales) and gives you access to key local ASB statistics… This app was created by Jeff Gilfelt and made possible by the data.gov.uk initiative, which is opening up UK government data for public reuse." What sensationalist rot; no number of pretty visualisations make this kind of fearmongering acceptable. It's nice that the data is open; it's a shame this is the best thing people can think to do with it. Whether you like it or not, this information is very, very loaded.
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"In this post I present the development model that I’ve introduced for all of my projects (both at work and private) about a year ago, and which has turned out to be very successful. I’ve been meaning to write about it for a while now, but I’ve never really found the time to do so thoroughly, until now. I won’t talk about any of the projects’ details, merely about the branching strategy and release management." It's a detailed strategy, but well thought-through; I'm certainly going to bear some of this in mind in future (and, indeed, the way the release branches are handled is familiar).
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More brilliant data-analysis and writing from OkTrends – perhaps my favourite data-blog out there, and one of my favourite discoveries in 2010 so far.
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"I suppose there are multitudes of people to be 'drawn' by promising to show them what the city of a hundred years hence will be like. It was, I thought, an unresponsive audience, and I heard no comments. I could not tell from their bearing whether they believed that Metropolis was really a possible forecast or no. I do not know whether they thought that the film was hopelessly silly or the future of mankind hopelessly silly. But it must have been one thing or the other." He did not like it too much.
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"Unless your surname's Coren you're going to need some help getting into the journalism industry." Great advertising from the Press Gazette
Eurogamer in 2009: Score Analysis
18 January 2010
I really liked last.fm’s end-of-year charts. I also really liked this analysis of Pitchfork’s scoring in 2009, just for the statistical fun. And then I thought about my favourite score-oriented website, and wondered why no-one’s done this for Eurogamer yet. I’d be the first to argue that scores in reviews aren’t that important – but everybody loves arguing about them in comments threads, and besides, they make for interesting statistics. What I’d really like would be something like the Pitchfork analysis, but looking a bit more like the last.fm site.
And then after two days I just decided to build it myself.
It’s relatively straightforward: a small app to explore a year’s worth of review scores, built around the pillars of reviews, writers, and scores. Most blue things are clickable; writers have pages that show their reviews, as well as their own averages, deviance from EG’s norm, and the scale of their contribution to the overall average. That latter figure is something I call influence; it took a long while to get to, and I write about it more here. Here’s Simon Parkin’s page as a good example of a writer’s page.
Reviews also have pages – here’s one for Modern Warfare 2, which show how the review compares to the site’s average, the writer’s average, and also to Metacritic. And, of course, you can see just how many games scored 7 – or any other score – if you want. Basically: have a click around.
I started two weeks ago, and guess I stopped committing in the middle of last week, but towards the endit was just front-end tweaks. It’s not been a big project at all – about an hour or two’s work a day on average, in evenings, and lunch-hours, over about ten days.
It’s not a very advanced project, and touches lots of bases I’m working with a lot right now – data analysis, visualisation, scraping. That said, it’s got some interesting stuff under the hood. I’m using Typekit for the attractive type, and it’s been a pleasure to work with. The graphs are a combination of the Google Charts API and gRaphaël, which I’ve had reasonable results from recently. gRaphaël’s strength are beautiful visualisations, rather than ultra-accurate charting, so the pair of tools are used for their strengths. Finally, it’s all deployed on Heroku, which has been a joy as ever; cloud deployment of databased apps, on dynamic hosting, as simple as pushing to a new git repo. And, for the scale of the Eurogamer tool, totally free.
So there you go. A little exploration of some numbers, which bring some interesting figures to light, and was also fun to build. It only felt right to share it. As the site says, scores aren’t everything – you should read reviews too, folks – but when you’ve got numerical data, it seems a shame not to do anything with it.
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"With every piece of metadata that you don’t throw away, you gain a factor more potential ways of slicing through your content and delivering it as a separate product, simply as a result of a database lookup. In the case of Vogue today, say, commissioning an editorial product that simply shows every dress designed by Christian Dior that appears in the archive would involve weeks of intern-work, instantly making it unprofitable or too late. A metadata-complete archive in the future would give you that with a single line of code." Hammersley on the value to journalism of sensible datastorage. Data-driven journalism in the sense that it is not *about* data, but in that it is *treated as data* – and from this more stories can flow.
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"How does a game about killing people, the Old Testament, and the Borgias completely bore an Italian Jew?" Simon Ferrari didn't like Assassin's Creed II; he explains why. It's entertaining, for sure (but I'm still going to pick it up).
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Wonderful interview with Richard Mosse, who photographs (quite beautifully) plane wrecks.
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"I wonder what Tulon Ethabathel the Dwarf is doing right now." A US brain surgeon talks about his interest in gaming, the amount of time he gives it – very little – but the nontheless-important role it plays in his life. Lovely article, really; well-crafted and thought-provoking.
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"For Christmas 2009 the Really Interesting Group wanted to create a a gift comprising a series of 4 unique decorations based on each recipient’s use of the Flickr, Dopplr, Last.fm and Twitter. Having used a couple of the software APIs they were thinking about using (flickr and dopplr) and with experience of rapid prototyping we worked together to turn the data into something physical." Can't believe I haven't linked this already. Ours were wonderful; many thanks to RIG and Andy.
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"After some delay I am now proud to announce that the complete Permanent Death saga is available for download. This definitive PDF version of the story, novel, machinima, whatever you want to call it, is something I am immensely proud of. I feel it eclipses both the scope and quality of anything I’ve ever produced before." It was a lovely endeavour, and still one of my favourite games – certainly of the decade, and perhaps ever.
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"AquaPath is a free Cocoa-based developer tool for Mac OS X Tiger that allows you to evaluate XPath 2.0 expressions against any XML document and view the result sequence in a dynamic, intuitive tree representation." It is really good, and has already saved my bacon today.
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Spotify playlists of videogame soundtracks, and links to soundtrack albums as well.
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Photoshoot for Empire; actors pose in pastiches of scenes for which they are famous. But with the emphasis on looking hot. Some are weak, but Christian Bale and his fireaxe, and Jodie Foster/Anthony Hopkins, are great.
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"Natural Earth is a public domain map dataset available at 1:10m, 1:50m, and 1:110m scales. Featuring tightly integrated vector and raster data, with Natural Earth you can make a variety of visually pleasing, well-crafted maps with cartography or GIS software." Oooh.
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"Perhaps the Shoreditch startups are more effective than their Dutch counterparts not just because they do more with less… but because they are in London. A city at a different scale than Amsterdam or for that matter the greater Amsterdam area, the Randstad as we call it around these parts. A city with a more diverse ecosystem of services and things, smaller services, more specialised services, ready to be employed by companies like BERG and RIG and Tinker, enhancing their abilities when needed."
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"I did a set of four walks in Austria; two long ones, two short ones. I did some "daystreaming" where using bits of technology I was updating my location, status and pictures as I walked." Ambient information gathering, whilst taking in the outdoors, and all for charity. Lovely.
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And it just worked first time. Awesome!
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"The list is the origin of culture. It's part of the history of art and literature. What does culture want? To make infinity comprehensible. It also wants to create order — not always, but often. And how, as a human being, does one face infinity? How does one attempt to grasp the incomprehensible? Through lists, through catalogs, through collections in museums and through encyclopedias and dictionaries." Eco on lists.
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"Today, the UK government's Department For Transport unveils a new browser-based MMOG, created by New York-based developer Area/Code. Designed for early teenagers to learn principles of traffic safety, it's probably the largest 'serious games' project ever to be created for the UK. Code Of Everand is the result of over two years of work with the Department For Transport by Area/Code principals and designers Frank Lantz and Kevin Slavin, not only because of its size and ambition, but also because of the complexities of developing it for a government body… We spoke to Lantz, Slavin and Simon Williams, who led the project at Carat, the Department For Transport's media agency, about what Code Of Everand is, how they pulled it off, and why they think it could prove that games can be a powerful platform for learning." Edge interview.
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Wonderful, wonderful interview with Eggleston. So much care and attention in the work and the way he describes it; so many lovely illustrations. The "color scripts" alone are great, but really, it's all worth your time.