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Twittercal is “a free service that connects your Twitter account to your Google Calendar”. Very nice!
“What was with the pirates?”
21 September 2007
(This is a post I wrote on an internal blog at work, and I wanted to reproduce it outside the firewall because, well, I find the issue so fascinating. Given more time, I’d rewrite it for Infovore, with a slightly less preachy tone. But for now, here it is, warts and all…)
This Flickr support thread is a must-read if you’re interested in online communities, and in particular, how they change as they grow.
Flickr’s always been a playful place to hang out; after all, it grew out of Game Neverending. The staff are known for injecting their sense of humour into the product. And so, when that silliest of invented-on-the-Internet-festivals, International Talk Like A Pirate Day rolled around, they decided to have some fun.
What they did was really very trivial, namely:
- They overlaid a pirate flag onto the Flickr photo
- They altered the explore page algorithm to display only pirate-related pictures
- As a bonus, they added an extra option to their langauge-selector at the bottom to every page, to translate text into “Pirate”
All of which was only online for a single day. Sounds fairly harmless, right?
Oh no. Check out the thread. A lot of users – who weren’t aware of the jokey “holiday” were shocked and angry. Many assume the site – or worse, their computer, had been hacked, explaining that they saw the pirate flag as a “universal signal for hackers”. Several pointed out that it’s only funny if you know about it, and complained of Flickr’s bias towards all things American. One person pointed out that many users, for whom English is not a first language, are “already making a great effort” to communicate, and the last thing they need is confusing jokes. With a lot of people, it didn’t go down so well. The mangling of the “explore” page went down even worse – some users complaining that all they want to do is make “beautiful pictures” and share what they deem “art”, but instead the Flickr staff have to engage in “childish” behaviour. (Needless to say, many people complaining about their pictures not making explore were, to be frank, making pictures that had little hope of making explore anyhow).
At the same time, fans of the site fought back a little in the thread, pointing out it’s nice to be part of a community that hasn’t sold its fun-loving soul to the corporates, or that they appreciated the joke. For them, it was exactly the kind of thing they expected from the site – probably because they’d all been users for much longer and appreciate the history. For many of the newer users, less versed in the lore of the community, it was more jarring.
What impresses me is how the staff reacted: they didn’t break frame once. They turned up in the thread, answered the odd question here and there, made the users feel like they were being listened to – and at the same time carried on talking like pirates. They were gently deflating the group ego, and being amusing in the process. But more importantly: they were reinforcing the community values, and also the conceit of the day’s joke. They were making it quite clear: this is a place where we have fun. Not forever, not maliciously, but we like the gags, and they’re staying.
Ultmiately, though the thread has over 400 posts from nearly as many users, that’s still a vastly small fraction of the users of the site – which, remember, has about 1.3bn photographs on it as of now. The thing about a vocal minority is that it’s still a minority. The majority were not vocal enough to complain, or presumably care. That, too, speaks volumes.
It’s a good reminder that, whilst it’s healthy to have a sense of perspective when dealing with user requests and, no matter how community-driven your site is, it’s still perfectly reasonable gentle control over the community’s values. At the same time, it clearly demonstrates the way that communities, by necessity, become more conservative as they grow, and become more conservative as they have to represent a greater spread of languages, cultures, and values. It is, perhaps, a necessary evil of internationalisation. Balancing the focus of the community with the demands of an ever-broadening spread of users is difficult, and the whole thread makes for a great illustration of this difficulty. Do read it if you get a chance. By turns, it’s both amusing and informative.
(And, of course, it’s a reminder that some jokes just don’t translate.)
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“I figured it’s best just to tell you why netbeans’ rails support is so creamingly good”. I’m not really an IDE guy, but netbeans does sound quite impressive. Not sure it’ll drag me away from Textmate, though.
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This will come in handy, I think.
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“If the API you are using does not yet offer JSON output you can take advantage of Python’s excellent XML support.” Going to need this too, I think
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The Unarchiver is a much more capable replacement for “BOMArchiveHelper.app”, the built-in archive unpacker program in Mac OS X
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“metrics, data management, and usability for online games” – awesome blog discovery of the day. Just looks fab. Insta-subscribe!
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“…it sums up the particular strain of globollocks in Monocle that both entices and infuriates, like a coke-fiend friend” – great post from Nick Sweeney on Monocle and cultures of their own creation
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Beautiful, traditional screenprinted posters, as seen at End of the Road. Want to get my hands on some of these.
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“We’ve been using the same tired metaphors for decades and they are not serving us well. What there was to learn from them was absorbed long ago.” Eric Evans debunks metaphors for development.
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As recommended no the ixda-discuss list.
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“…indirect readers, unable to get access to articles behind the pay wall and less likely to pay subscription fees than the more loyal direct users…” – you don’t say?
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Just what I needed right now. This is a verbose approach, but it has the kind of granularity I like.
Back from the End of the Road
18 September 2007
Back after a weekend away at the End of the Road festival, and what a weekend it was. Wonderful weather, great company, and only the briefest hints of rain. It felt pretty special: a small festival (only 5000 tickets), lots of families, great food, wonderful music, and a schedule that never felt too crowded, but always yielded serendipitous discoveries wherever you looked. Highlights included:
- Bumping into a musician practicing on the piano in the piano garden, and being his audience for a while
- The peacocks! (Larmer Tree Gardens has several resident peacocks, who would happily wander around the paths)
- Finding that friends I wasn’t expecting (Ben-Rizla, Tim) were also there
- Discovering Midlake in their wonderful 90-minute set
- Darren Hayman + co’s impromptu secret bluegrass gig in the piano garden
- Hush The Many playing a lunchtime set like it was a headline show (and subsequently chatting to Nima from HTM the next day – November 9th, at the 100 Club if you want to see them again)
- The fantastic burritos at the Mexican place – their breakfast burrito was a triumph
- I’m From Barcelona‘s hilarious, uplifting, ecstatic afternoon show – crowd-surfing-on-a-lilo and all
- Jim White‘s humble, delightful songwriting
- Cooking breakfasts and lunches on our Trangia
- Architecture from Helsinki – at times bewildering, and then just as I’m about to leave, they bring it around with some dirty four-to-the-floor. They battled poor sound to give a good show
- Finally getting to see Salter Cane perform (congrats, Jeremy!)
- The stage invasion during SFA‘s The Man Don’t Give A Fuck
- Standing around the fire at night with some particularly fine hot chocolate
- Kurt Wagner’s majestic, delicate closing Lambchop set
There were many others, but that should give you the idea. Alex and I spent a while trying to describe what tied all the acts we saw together, given they felt so disparate. But in the end, there was definitely one thing that brought them altogether: a shared sense of humility. The organisers were thanked in practically every set; the festival lauded similarly. So many musicians and bands just seemed so thankful to be there, and would always inform the audience of this – usually prior to thanking the audience themselves. And they all meant it. It felt wonderful to be at such a gentle, honest festival, which made up in heart what it lacked in bravado.
Already, I cannot wait for next year.
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This is going to be huge.
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“Programming is difficult. At its core, it is about managing complexity. Computer programs are the most complex things that humans make. Quality is a illusive and elusive.” Crockford on Javascript Style – almost certainly essential.
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“Quartonian Mixer is a free creative commons licensed VJ mixer created entirely in Quartz Composer.”
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A great Dan North entry on stories and BDD.
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Technically hardcore, dense paper explaining how the Dungeon Siege environment was constructed without a loading screen. Word of the day: “frustrum”. Interesting stuff in here. Now, how to apply it?
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Visualisation for looking at your listening history on last.fm. The outputs are beautiful.
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Lots of .flv tutorial videos. May be useful for my plans to do with learning Flash.
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Some useful tips on camping at festivals…
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“Literature is inescapably intertwined with our everyday environment. By making this visible, we can encourage and spread it, and send it in new and exciting directions.”