[this is good]. And it leaves me with open, not closed feelings: I'm reading so much on a screen, mainly e-ink, and mainly fiction. Do I remember it the same way as print? Do I care as much? Am I missing things? Some days, what matters is that I *am* reading, that wherever I am in the world, there are books; other days, I can't remember what I read where, because they all felt the same, all looked the same: a slab of grey plastic. Lots of thoughts. Mainly, though, that I'm glad there are books in the world.
This looks like it could be a really lovely thing – what a piece of machinery, too. (I'm always convinced that sound is one of the simplest and most useful ways to illustrate analogue electronics, sometimes).
"We are defining a story, and this will be the context for the music, and music will always be about that context. If the story of my music was like, “Yeah, I download illegal software and I make a hundred tracks and ten are good, and I’ll always do it while I’m on the train or the bus, and I have headphones on and I just make music all the time,” it would raise a question: ‘What is inspiring you?’" This leapt out at me and smacked me around the chops a bit. Smashing interview with Nils Frahm about his recent collaboration with Ólafur Arnalds. (Also, I did not realise how the Korg PS-3100 did polyphony. Blimey.)
21 September 2015
Panoramical is out, and it’s been lovely to play with: a series of visual and sonic canvases to manipulate and explore.
I’ve been keen to play it partly because of its support for interesting controllers not traditionally associated with videogames. An early version was played with the eight faders of the Korg Nanokontrol; Brendan Byrne built a limited edition controller, the Panoramical Pod, for the final release. What’s really interesting is that Panoramical also supports any controller that spits out MIDI – and so I started thinking about building my own controller(s) for it. I’ve long been interested in controller design, and have built a few unusual interfaces for music and computers in recent years. So I got to thinking about what I could do with Panoramical.
The world of Panoramical is manipulated via eighteen variables. These are describe inside Panoramical as nine, two-axis variables. With a keyboard and mouse, you hold a key (or selection of keys) to pick variables to manipulate, and move the mouse to alter them.
The Pod has a row for the “horizontal” component of a variable, and a row for the “vertical” component of a variable. I’m not sure this is a elegant or interesting as controlling both axes with a single input. I investigated non-spring-returning analogue joysticks, much like found on the VCS3, but they all appear to be horrendously expensive as components. (Cheaper joysticks, that would need the spring removing, have an unpleasant deadzone, which I don’t think would be ideal for Panoramical).
And then I had an idea: rather than building a controller out of hardware, I could start by building one in TouchOSC.
TouchOSC is a programmable control surface for iOS and Android tablets that spits out MIDI or OSC data. It’s possible to design interfaces yourself, in an editor on a computer, before transferring the UI to your tablet. You can then connect the tablet TouchOSC app to a ‘bridge’ on your computer in order to spit out MIDI data to anything that can receive it.
One of the many UI components on offer is an X-Y pad.
This is my controller for Panoramical. Nine X-Y pads, in a 3×3 grid – much like the lower left of the screen. It didn’t take too long to lay this out, although I went back and added some padding around the pads – otherwise, you’d slide off one into another, leading to unintentional lurches in values.
It didn’t take long to layout, although it really didn’t help that touchOSC doesn’t rotate its understanding of ‘vertical’ and ‘horizontal’ when you design a landscape mode – that was confusing for a while.
I also added a second ‘page’ with eighteen rotary encoders, as per the official Panoramical Pod. I don’t use this to play Panoramical, but it makes it much easier to configure the mapping.
Is it fun to play with?
I definitely think so. The multitouch UI gives you control over many parameters at once, and the coupling of the related variables (each XY pair basically control similar elements, but have different effects) makes a lot of sense – the design of touchOSC’s pads even mirrors the visualisation in the lower right of the screen. It’s also fun to be able to use ten digits to play it, manipulating many things at once; it makes Panoramical feel even more like an instrument to be played, explored, and improvised with.
You can download my TouchOSC mapping here, if you’d like, and you can find out more about TouchOSC here. TouchOSC’s documentation is reasonably good, so I’m afraid I cant provide support on getting it running. Suffice to say: you’ll need the layout on your touch device, and the Bridge running on your computer. In Panoramical, set the MIDI input to TouchOSC Bridge, and then I recommend mapping the controls from the ‘rotaries‘ page on your device – it’s much easier to map from there – then, you can play Panoramical from the ‘pads’ page.
"As Bitcoin and Litecoin cryptocurrencies fluctuate in value against the more traditional currencies, the imagined monetary values generate new melodies and rhythms. Recalling both the controversial recent silk road and its historical analog, these silk strings form a mythological musical song." I'll admit: I liked this more than I was expecting to from the description.
Great interview with Olivier from Mutable – lots of nice thoughts on the nature of synthesis, on designing electronic products, and so forth. I particularly like his list of what's inspiring him. Good stuff.
Key remapping software. Might come in handy if I get a new keyboard.
Paul's responsible for all the china and pottery at l'Enclume.
Fascinating presentation – even in slides-only-form – from Sean Costello of ValhallaDSP, on a history of reverberation.
Beautiful: Brian Crabtree's electronics, Kelli Cain's pottery, Iceland, motion. I don't even mind the juggling. But the sound!