Boots

20 April 2019

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I hadn’t properly cleaned my boots last time I put them away.

When I unbagged them and sat on the back of the car in the Lakes, a few weeks ago, they still had mud on them from a previous walk. Mud, from snow melting into earth, and white chalk, from the North Downs.

And now, that mud and chalk was translated a few hundred miles north, to be trodden into ground near Derwent Water.

A smile on the inside: how much mud and soil and who knows what else have I moved around the county, mixing tiny samples from one place into another?

My last pair of boots had taken me up hills in France, Cyprus, California, Australia. I didn’t clean the Australian soil off them for a few weeks after I returned. I couldn’t bring myself to do it; it was a final memento of a huge trip, a little piece of something alien, brought all the way home. I finally replaced those grey synthetic boots with these leather ones around 2016, when the old pair were just no longer waterproof. I was sad to do so; they had so many travels trodden into their soles; the new ones, stiff and clean, didn’t feel like they could match up.

But now, a few years later, these ones have really started to get their miles in, slowly – and highly inefficiently – redistributing soil and dirt around the world.

They’ll get a proper clean and wax in due course. In the meantime, I still like the tingle of all the previous journeys I see in them in moments like this.

  • "Some of the best field naturalists I know grew up in working-class rural communities, skipping school like Billy Casper to practise forms of natural history that bent or broke the law: they ferreted rabbits, collected eggs, broke into quarries, kept pigeons, reared finches, climbed fences to poach for fish. Today they can still spot a linnet’s nest in a furze bush at 50 paces and possess fieldcraft skills that would put many a birder to shame. There’s little room for them in today’s culture of nature appreciation and even less so in nature writing, which tends to entrench a sense that the correct relation to the landscape is through walking and distanced looking." From the section on 'Landscape and Englishness', which sounds excellent.