More comprehensive notes from Gavin Bradley – this time, on the legacy of Funky Drummer.

"What fascinates me about this evolution is not just the multiple levels of cut-and-paste that went on through these productions, but the fact that this exposes a clear example of the sort of rewriting/rethinking that sometimes must happen before a song hits its apex.  Cherry’s rap on the b-side of ‘Looking Good Diving’ isn’t the fully realized version of the lyrics she went with on ‘Buffalo Stance,’ and neither is her confidence in place, yet, vocally." Marvellous, fascinating deconstruction of the mighty "Buffalo Stance"

"Patrick Stump survived The Scene, then." I went to see Patrick Stump play some music. Then I reviewed it for Londonist.

Nice little collection of indie pen-and-paper RPGs; Dread sounds a lot of fun, and yet another reminder how much I need to get Fiasco.

"Apple has already built its TV. It’s called the Apple TV and that’s why it’s called the Apple TV. Because we’re supposed to be rethinking what a TV is. The TV is not the screen with seven different inputs for your players and boxes and game machines. The TV is the content and the buttons we touch to get to that content."

" A physical model of Eindhoven rolled onto a drum and attached to a piano. A form of player piano with the city as the score." Just beautiful.

MeFi thread spun out of my Roguelikes post; some great comments and insight, and what a cast!

"There was one guy on the steps of a building and proselytizing the end of the world. My guess is that he was doing it for jokes, but if you’re in the middle of it with your friends exploring a world covered in blood, then there’s something in our understanding of the Black Death in the Dark Ages and people announcing the coming of the end that plays into the social fear." Kill Screen interview on the Corrupted Blood outbreak in WoW.

"Jennifer Brook, who makes artists’ books and iPad apps, speaking earlier this year: “Craftspeople are technologists, and technologists are craftspeople; the only difference is the velocity of the material they choose to work.” Humbly, I would add a further qualification, a further dimension. Celerity, or “proper velocity”, is velocity which takes the effects of relativity into account: the observer is travelling too; we are all travelling in time. The material has its own celerity." Oh, gosh, that's marvellous. Both parts.

Nice lo-fi sound effect tool.

Totally marvellous: photographs of New Zealand arcades in the eighties. Lovely they're online, as well as in the world, and must get around to that essay at some point.

"So there's a cosmonaut up in space, circling the globe, convinced he will never make it back to Earth; he's on the phone with Alexei Kosygin — then a high official of the Soviet Union — who is crying because he, too, thinks the cosmonaut will die.

The space vehicle is shoddily constructed, running dangerously low on fuel; its parachutes — though no one knows this — won't work and the cosmonaut, Vladimir Komarov, is about to, literally, crash full speed into Earth, his body turning molten on impact. As he heads to his doom, U.S. listening posts in Turkey hear him crying in rage, "cursing the people who had put him inside a botched spaceship.""

The terrible, sad cost of the space race. Warning: contains a graphic image of human remains in an open casket. Also: is, in many ways, very upsetting. But this is history, and it must be documented.

Totally lovely montage of arcade-game death/loss animations. Watching this: I really forgot how beautiful Afterburner looked in the arcade.

"Where does this go from here? DVD boxes that have screens on them, that are players too. Or perhaps simply projectors. Player and media combined as a single usage item. Experiments like this have been around for ages but are mainly novelty items. I think we need more of this silliness, relating to what I said recently about dreaming and being experimental. We need seemingly crazy ideas like stickers that are screens. That's how we create the new stuff, from the random throw-away ideas." More hopeful monsters.

"I would separate out the true independent developer vs. the hobbyist," says Fils-Aime. "We are absolutely reaching out to the independent developer. Where we've drawn the line is we are not looking to do business today with the garage developer. In our view, that’s not a business we want to pursue." Sustainable, maybe, but sad at the same time.

"I keep reading books and seeing movies where nobody can fucking say anything except fuck, unless they say shit. I mean they don’t seem to have any adjective to describe fucking except fucking even when they’re fucking fucking. And shit is what they say when they’re fucked. When shit happens, they say shit, or oh shit, or oh shit we’re fucked. The imagination involved is staggering. I mean, literally." Ursula LeGuin on obscenity, swearing, and the way it's used on contemporary media. (LeGuin is someone who, for reference, has always used language precisely and carefully; she is not a prude, just bored of a lack of imagination.)

This large image (4400×2364 pixels) is completely marvellous: a genuine history, reaching back into trends from the dawn of literature, and with a healthy chunk of 19th century gothic/mystery in there. Makes me very happy, especially in terms of fond memories of books I've enjoyed.

"The first 5 summoners who received 1+ week suspensions who reply to this thread – I will reply to your post with additional details explaining the suspension." Great thread: trollers and griefers ask to know why they received bans, understanding that the complaints against their names will be revealed in public. Then, some of them appear confused as to precisely why their crimes were considered so. Interesting piece of transparency from the LOL staff.

Shutterbug vs the Super Metroid soundtrack, from the new Team Teamwork joint. Oh yes.

Matt Brown and Mark Slater, writing about music and things. Looks set to be like a cracking little blog.

Reviews of Phill Niblock's "Touch Three": drones created by stripping out attack/release/breath sounds from acoustic performers, and then gluing them together. What we're listening to right now, too. (It is better than that description makes it sound).

This is, in fact, the most successful rotary encoder code I've found to date.

Excellent summary of what happened on the Yaroze – and a quest to track down all the released Yaroze titles.

Jason Rohrer's recursive shooter, which I must pick up at some point.

"I set myself a half-day project to write music specifically for shuffle mode – making use of randomness to try and make something more than the sum of its parts… Over an hour or so, I wrote a series of short, interlocking phrases (each formatted as an individual MP3) that can be played in any order and still (sort of) make musical sense." This is brilliant, and I do like Matt's ear.

"Books become clouds, raining events and built forms onto the city." This is marvellous

Simon Reynolds' list of records from 2010. It is long and deserves returning to, which, at some point, I shall.

"…in the end, adulthood isn't a single decision you make, but a long series of decisions you make every day for the rest of your life. And the best reason to grow up isn't because it is expected or required, but because it means moving forwards. Because while it may also involve incredibly tedious things like mortgages and car payments, growing up is a natural function of seeking a life that is more dynamic than static, of choosing ambition and hope over avoidance and fear, of wanting to know who you're going to be and not just who you were, even if that takes you away from the things you used to love." A lovely reading of Scott Pilgrim #6.