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"a tiny camera gathers light and shape data, before sending it to a computer that processes it and uses hundreds of tiny electric motors to shift the wood blocks into the image in front of the device. Subtle gradations of shade are achieved by both the natural grain of the wood and the angle at which they are displayed, casting shadow if necessary." Beautiful.
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"you make a labyrinth of well-placed incisions and the city is yours. Perforated from below by robbers, it rips to pieces. The city is a maze of unrealized break-ins."
Reboot 8 so far
01 June 2006
Day 1: I’m having a lot of fun at Reboot 8. That fun’s mainly taking the form of a lot of entertaining mental somersaults.
I’ve already met so many interesting people doing fantastic, tangibly brilliant things, and listened to many fantastic talks. And there’s a wonderful, wonderful balance of technology, art, media, design, all hinged around an axis of thought. It’s really good. I’m definitely coming again next year, I’ve already decided.
Michael Thomsen’s opening was a cracker; Matt’s Making Senses was thought-provoking, revealing, and no less enjoyable than ever. Adam Arvidsson’s General Intellect – or the Renaissance of Karl Marx was utterly captivating – a lecturer with no slides, no notes, and the audience in the palm of his hand for 45 minutes. It also complemented Ulla-Maaria Mutanen’s Crafter Economics very well indeed, and illuminated more of that talk for me.
Ben’s “How to be a Renaissance man” ended the day – and began the night. I have merely one sentence of notes from it, but it was pretty fantastic, and a pep talk that I really needed right now. A pep talk for doing, making, building, and being in the future. I hope I’ll return to the UK energised and excited – and with enough momentum that nothing else will get in my way.
I hope, anyhow. I turned down another beer for the sake of sleep and my talk tomorrow. I’m talking tomorrow, which is moderately nerve-wracking. Hope it goes well.