Oh, nice; I'm always adding #format_date and #format_time methods to my formatting_helper.rb striaght off the bat, so it's nice to know there are built-ins – although I'm not keen on just overriding defaults, if only so other programmers don't get lost working out why the defaults aren't the same.

The win-screen from Windows Solitaire, made physical. (Scroll down for explanations).

"Martin Woodhouse, who has died aged 78, was a psychologist and medic, but worked variously as a novelist, scriptwriter, engineer, programmer, government planner, artificial intelligence researcher and perfumer." Early AI and writing for the Avengers. Blimey. When I grow up, I would like life to be like this.

"Every once in a while a video comes along which requires no comment at all. This is That Video." G1 JOCKEY!!!

"The easiest hustle for tips is flattery and a smile."

"This is a VT220 serial console (circa 1983) set up as a terminal for my Mac Pro (circa 2010), a nerdy dream I’ve had for a long time that I finally made a reality yesterday." Beautiful. Just look at it!

Fascinating article on the lengths one has to go to to get perfectly accurate hardware emulation. It's not enough to get stuff to run; you have to get it to run right, and in the era this hardware comes from, that means it needs to take into account the weirdness of hardware.

"I am not naive and I am not a fool. I realize that gamification is the easy answer for deploying a perversion of games as a mod marketing miracle. I realize that using games earnestly would mean changing the very operation of most businesses. For those whose goal is to clock out at 5pm having matched the strategy and performance of your competitors, I understand that mediocrity's lips are seductive because they are willing. For the rest, those of you who would consider that games can offer something different and greater than an affirmation of existing corporate practices, the business world has another name for you: they call you "leaders."" Ian's whole article is great, and the comment thread is eye-opening.

"Something terrible has happened in our city (and may yet continue to happen). It's damnable, deplorable, heartbreaking. But it is also extraordinary, unusual, bizarre. Slamming the door on it without studying and understanding it is a dangerous and short-term tactic. Allowing yourself to feel nothing but anger, and doing nothing but lashing out … isn't that a little mindless? It would be nice, and useful, if we could ask London "why" without already having an answer in mind." Excellent, sober, cautious writing from Will Wiles.

"In this volume, people of diverse backgrounds — tabletop game designers, digital game designers, and game studies academics — talk about tabletop games, game culture, and the intersection of games with learning, theater, and other forms. Some have chosen to write about their design process, others about games they admire, others about the culture of tabletop games and their fans. The results are various and individual, but all cast some light on what is a multivarious and fascinating set of game styles."

Lovely little round-up of games about architecture and the urban environment from Kars.

"She said she felt relaxed when she returned from the tough evacuation center life; Paro was a big help in making her feel that way. By chatting with Paro and stroking its soft fur, the residents were helped to relax and their stress was reduced. It is an unbearable moment for the residents when they are waiting for Paro to be charged (the high-end gadget can go only one and half hours with its internal battery)." Some days, I would like a Paro very badly.

Cracking analysis from Soren Johnson on Free-to-Play, how it shapes game design for both good and ill, and the opportunities it opens in its wake.

"To keep up with trends, we've developed some iPhone stencils and sketchsheets that'll make the lo-fi stage of development a lot quicker." Passable iOS wireframe templates – but at least they're wireframey, rather than irritating pixel-perfect stencils that are all-too-easy to come by.

"You also know about the Wait. The Wait is Ahab’s white whale; it is America at Ellis Island; it is the night sky to the Greeks. The Wait is a disgusting amalgam of dreams, memories, hopes, desires, and expectations. In fact, barring all else, this may be the only thing that you know about Duke Nukem." A lovely piece of nostalgia – and review-system-breaking-analysis – from Jamin.

"It's not enough to hope that games might be redeemed as fine art or to be played by people of all ages and backgrounds. Instead, video games' cultural future depends on a rich, diverse, magical ecosystem of weird games of all shapes, sizes, and purposes helping multitudes of people pursue a variety of goals and passions. It's not that games need to "rise to the level" of books and films and the like, but that they need to spread like those media into all the nooks and crannies of human activity. The more deliberately creators populate such an ecosystem, the harder it will become for games to become pawns in the debates of others."