So far: much happier with this than I ever was with Sparrow; the shortcuts are the ones I need, and it handles plaintext. So going to try living with it for a bit.

Wrapping sidekiq into your unicorn process; might be useful for a prototype I have in mind.

"…if you're in a public-facing room of the house, then who owns the stuff in that room? (A lot of Gone Home pivots on this question, of who owns which spaces?) To help you figure that out, objects frequently overlap each other: something that belongs to one character might sit on top of a leaflet they picked up, which sits on top of a letter they received. It uses these spatial connections to emphasize the narrative connections between things and what they symbolize." Robert Yang, as expected, is shrewd and fascinating in his take on Gone Home. But I really liked this point: in many ways, it's a really interesting game to view from a material culture perspective – the way spaces are used, and personalised, and (in a home people have just moved into) what are the _first_ things they have unpacked? And so forth. It's a good game about actual, honest, *stuff*, and the way it represents us.

"Sheetsee.js is a JavaScript library, or box of goodies, if you will, that makes it easy to use a Google Spreadsheet as the database feeding the tables, charts and maps on a website. Once set up, any changes to the spreadsheet will auto-saved by Google and be live on your site when a visitor refreshes the page." This is good.

"All it takes to get a website going for a repository on GitHub is a branch named gh-pages containing web files. You also don’t need a master branch, you can have a repo with just one branch named gh-pages. Here is what I think is really cool, if you fork a project with just a gh-pages branch, you’re only a commit away from having a live version yourself. If this repo being forked is using sheetsee.js then everyone is a fork, commit and spreadsheet away from having a live website connected to an easy (a familiar spreadsheet UI and no ‘publish’ flow because Google autosaves) to use database that they manage (control permissions, review revision history)." Very smart.

Hosted statistics tool with attractive interface and smart API. Not cheap for its single-tier plan ($99/mo), but looks like it might be worth a poke.

"We need to be armed not only with outrage at the intrusion but with the opinion that every financially motivated imposition is a missed opportunity to enhance the city we live in. Services on our streets are always in change, post boxes and pay phones are becoming antiquated, but there is a real and exciting potential for these spaces to become something else, something human, something exciting and most importantly, something for us." Cracking post from Ben about Renew's bins, some of what we learned in Hello Lamppost, and how people do – and could – engage with the cities they live in.

"As serious intellectuals often do, we spent hours discussing these questions, what data we would want to collect to answer them, and even how we might go about collecting it. It sounded like a fun project, so I wrote a program that takes video captures of our Mario Kart 64 sessions and picks out when each race starts, which character is in each box on the screen, the rank of each player as the race progresses, and finally when the race finishes. Then I built a web client that lets us upload videos, record who played which character in each race, and browse the aggregated stats. The result is called Kartlytics, and now contains videos of over 230 races from over the last year and change." Yes, it's a plug for manta, but it's also a nifty piece of engineering.

"Termshows are purely text based. This makes them ideal for demoing instructions (as the user can copy-paste), making fail-safe "live-coding" sessions (plain text is very scalable), and sharing all your l33t terminal hacks." Really lovely: record terminal activity, upload it to a URL, share it with others, dead simple. And the client playback is all javascript. Lovely.

"East London Kinetics manipulate digital and physical materials to create richly interactive experiences. We use technology to invite excitement, drama and spectacle into the world. We are designers, technologists and storytellers. We encourage your escapism." Good name, good logo, good people.

"The notion that an artist’s life project, his crowning glory, should have been a sort of side project, something done in the margins, as it were, while he was busy getting on with the real thing (whatever that was) is to be savored. It expresses an almost universal truth, and says everything about Phillips’s infatuation with whim, chance, and the vicissitudes of choice." Lovely review. Also, gosh, the second edition looks exciting.

"Work energises work, and I have set about filling some of those remaining frames for Version II which, in anticipation, hold blank grey sheets. Half a dozen have already appeared with more to follow as the exhibition heads to its closing in January 2014. One such revised page features Peckham mud combined with that gathered from a nearby river in Massachusetts." What a wonderful way to hang it.

Lovely, deep, expert post from Cennydd on the World Chess Championships; it reminds me of my favourite writing about sports and games tournaments. It is not, in many ways, that far removed from Evo.

"Here are ‘the obsolete industrial plants; the inadequacy of unchanged transport systems and overstrained power supplies … the shift of power from industrial capital to international finance capital’ and so on. Here is the self-consciously world-historical Lowry, showing us Britain mired in its past, and perhaps the future of China. But here and there is the old local Lowry, whose people cannot see beyond the foreground terraces to the dystopian prospect, and so seem to manage, to cope, even to enjoy themselves, on their own tight patch. People stop to chat or just to stand about; kids play; dogs and babies get taken for walks; women wear bright vermilion, the happy colour of the summer of 2013, and apparently of 1950 too. It’s hard to say this without sounding as folksy as Brian and Michael, and perhaps that’s exactly what it is, but right now what I most admire and enjoy about Lowry is the interest he shows, without any apparent agenda, in what people do. I have no idea why that should be so moving." Wonderful article from this fortnight's LRB about the Lowry retrospective at Tate Britain.

"Coming up with a word like neuromancer is something that would earn you a really fine vacation if you worked in an ad agency. It was a kind of booby-trapped portmanteau that contained considerable potential for cognitive dissonance, that pleasurable buzz of feeling slightly unsettled." There is so, so much in this interview, that quoting it feels somewhat futile. It's a really lovely thing piece, that goes far beyond cyberpunk, and delves deep into Gibson's writing and history. There are at least five meaty quotes I wanted to yank; it's worth reading and rereading.