This looks like it could be a really lovely thing – what a piece of machinery, too. (I'm always convinced that sound is one of the simplest and most useful ways to illustrate analogue electronics, sometimes).

"We are defining a story, and this will be the context for the music, and music will always be about that context. If the story of my music was like, “Yeah, I download illegal software and I make a hundred tracks and ten are good, and I’ll always do it while I’m on the train or the bus, and I have headphones on and I just make music all the time,” it would raise a question: ‘What is inspiring you?’" This leapt out at me and smacked me around the chops a bit. Smashing interview with Nils Frahm about his recent collaboration with Ólafur Arnalds. (Also, I did not realise how the Korg PS-3100 did polyphony. Blimey.)

"As Bitcoin and Litecoin cryptocurrencies fluctuate in value against the more traditional currencies, the imagined monetary values generate new melodies and rhythms. Recalling both the controversial recent silk road and its historical analog, these silk strings form a mythological musical song." I'll admit: I liked this more than I was expecting to from the description.

Great interview with Olivier from Mutable – lots of nice thoughts on the nature of synthesis, on designing electronic products, and so forth. I particularly like his list of what's inspiring him. Good stuff.

Key remapping software. Might come in handy if I get a new keyboard.

Paul's responsible for all the china and pottery at l'Enclume.

Fascinating presentation – even in slides-only-form – from Sean Costello of ValhallaDSP, on a history of reverberation.

Beautiful: Brian Crabtree's electronics, Kelli Cain's pottery, Iceland, motion. I don't even mind the juggling. But the sound!

I've read this post a few times, and it's still making me think. Lots of wisdom bound up in it, lots of things to aim for. Well done, Kellan.

I think this is the issue I'm running into; Nginx is a bit of a mystery to me, and this is proving useful.