EMSL dissect a classic Tomy wind-up semi-electronic game – in this case, a version of Pong. Amazing what you could do with mechanics (even if that included "making the singleplayer game entirely unfair").

"Ibuki, Makoto and Dudley from the Street Fighter 3 series have all been confirmed as new characters in Super Street Fighter 4 by Famitsu magazine." And now it's a confirmed day one purchase for me. (Seriously, Makoto and Dudley were my two mains in SF3. This is going to be brilliant. Seichusen Godanzuki!)

"How good is that?" It is super-good, that's how good.

"People are pink/orange (a color I like to call porange) / Grass and summer trees are green / Water and skies are blue / Fire engines, stop signs, and blood are red" Lovely post about colour grading – how it affects a scene, how we remember colours. Also: porange!

All I can do is quote Tom Carden: "So let me get this straight… Inside the beloved and venerable Java OpenStreetMap editor, JOSM, you install a plug-in which runs a (port? emulator?) version of Lotus Turbo Challenge II. And you drive around the game on a level composed of the aerial imagery you were tracing in JOSM. And it records GPX tracks. Which you can trace into maps and share on OpenStreetMap. Jesus."

"Instead of aiming to elevate the medium by making games that are more socially responsible  – which by my estimation reduces quickly down to a feature driven approach that ultimately offers little more than cheap didactic moralizing, our aim should be instead to empower our creative visionaries to explore the human condition through their work." In a nutshell: rather than explicitly trying to make 'worthy' games, why not just let people make games about, you know, the human condition – ie, what every other artform does – than just about shooting dudes? (Disclaimer: sometimes, shooting dudes is fun. But I like Clint.)

Very simple; very effective.

"Golden Hook is an innovative fashion brand which allows you to create made-to-order beanies by choosing your beanie style, material, and color. You also choose the authentic grandmother who will knit your beanie from our gallery of grandma photos." Awesome.

Some of these are very nice; many are likely to end up on posters for dubstep nights in Shoreditch soon, I fear.

"Need a little excitement? Snap into a little Flickr game I just discovered called Noticings!" Noticings is on the internet telly.

"Over the weekend, I wrote a web application that takes advantage of the new [EchoNest] APIs to make it easy to get a click plot for just about any track. Just type in the name of the artist and track and you’ll get the click plot – you don’t have to find the audio or upload it or wrestle with python or gnuplot." Echonest is bloody magic.

"All true Londoners have a south London past. There they experienced their first flat, their first date, their first taste of city life, with nothing too exotic. They dallied in Clapham, flirted with Dulwich, tested their mortgage muscle on Stockwell. (I lived awhile in Upper Norwood.) South London is the kind of place, as was said of George Bush, that “reminds every woman of her first husband”." I enjoyed a lot of this article by Simon Jenkins, although he goes *way* too far when he mentions Cyprus and Yugoslavia…

Much as I respect their output, I do find Tale Of Tales attitude towards games is increasingly… asshole-ish, frankly. Their behaviour (reported) at Art History Of Games only makes them seem like trolls; I fear their ultimate end will be obscurity, more than anything else. Which is a shame, because there really is value in what they're doing. There's just no value in trolling anybody else.

Ooh, this is interesting: reviews of screenplays circulating around Hollywood; well-written, incisive thoughts on the writing process, and some great links (from time to time).

"Glitch is a massively-multiplayer game, playable in the browser and built in the spirit of the web. It is currently in development and will launch late in 2010. Private alpha is beginning shortly and a public beta period will begin this summer." Exciting!

Daniel Terdiman interviews Stewart Butterfield and Cal on Glitch, which is what Tiny Speck are making. Good interview, and worth noting just how often they threw things out.

"There is a rhythm to hiking, as there is in walking. And once you find the cadence — after a day or two — your mind empties. All your social obligations related to work and friends and life are muted. They aren’t gone: they just no longer require your direct attention. There is a shocking beauty to this silence. It’s as if every day of our lives is filled with a white noise. And suddenly, in the presence of these unbelievable peaks, the noise is gone." Lovely pictures, but, more to the point, strong truth, from Craig Mod.

"DOOM doesn’t belong in a museum, not because it’s not worthy, but because it’s rock and roll. It’s too fast, too loud, too hard, and too fucked up to be in a museum. There are some games that will work in a museum and some that won’t ever and that, by itself, doesn’t say anything about their value. We need both." Frank Lantz is right.

"In this digitally distant world full of information that appears to only be moving faster and faster, you get to choose: how much will I consume and how much will I create?"

Fascinating article on pseudo-3D graphics, and raster-based road graphics in particular; coders and gamers alike might enjoy this, although it's quite technical. (And: Racin' Force is just beautiful; I forgot how gorgeous voxels could be).

"I think this is something that’s mostly forgotten about in games writing: for a lot of the people who play games, there’s not much separation. The games get mixed up with the same insecurities and pettiness that exist in real life and the experience is emotionally heightened as a result. Planetarion is forever imprinted in my memory entirely because of these arguments, and despite the immaturity of fighting, it’s heartening to think of gaming as such a direct extension of real world relationships and emotions." Some nice stuff from Graham Smith. I too played Planetarion for a while at secondary school too, although with my Quake chums, looking for something to be played in the working week, away from 2fort5.

"…the next seven issues of the eight issue series will document parallel journeys through the house. One where we follow Joe descending through the house from the attic to the basement (where I am assuming his medication is?) and the other where he follows a a Narnian/Wizard of Oz like adventure populated by his toys and the contents of the house. The domestic as landscape for epic adventure." Oh, that sounds great.

"Better alternatives [to the RAILS_ constants] have existed for a while in Rails core (some since 2.1.0), and it’s about damn time you start using them properly. There’s also some other helpful methods on the Rails module we’ll explore in this post." That was handy.

"As an industry, we need to understand that not wanting root access doesn’t make you stupid. It simply means you do not want root access. Failing to comprehend this is not only a failure of empathy, but a failure of service."

"…you can’t help but wonder if there was some genius in the aggregate. Like Gerhard Richter’s “Atlas”, perhaps Winogrand’s greatest work wasn’t in the brilliant moments or creative editing, but in the Complete Everything, in the performative act of making hundreds of thousands of images, of the people, with the people?" Michael David Murphy on Gary Winogrand, and the value of his work perhaps being in the entirety of it.