Transmit 4 is looking really good; Transmit Disk, especially.

Blimey. Spotify want to own social music – linking out to Facebook and creating a more public Spotify profile – but, more to the point, they also want to own music playing, by making your own library available inside the Spotify app… and even offering wireless sync of your own music.

"In a sense, it is. However, Ashley Davis, a blogger over at Destructoid, put a post up last week specifically on the Pac-Man ghosts and why they got the names that they did. In short, though it might seem like Blinky, Pinky, Inky and the Clyde-Sue-Tim hivemind hover around dot-filled mazes in the exact same way, they don’t. In fact, the way they move is explained by their nicknames." This is brilliant.

"Ben O'Steen's talk from OKFN; lots of nice little things in here about preserving data and opening it up into a variety of forms."

"Lazy loader is a jQuery plugin written in JavaScript. It delays loading of images in (long) web pages. Images outside of viewport (visible part of web page) wont be loaded before user scrolls to them." Handy.

Joe Moran on Daniel Miller's "The Comfort Of Things", which has gone straight onto my wishlist.

"For instance, when a film critic with a Twitter account says that video games are not art, the natural followup becomes, "Well then… what is art?" And suddenly we're in some goddamn flourescent-lit student lounge, sitting on a nine-dollar couch across from a dude whose shirt is self-consciously spattered with daubs of encaustic, hip-to-hip with the girl who stamped each page of a copy of The Feminine Mystique with an ink print of her own labia, hearing the guy over our shoulder mention Duchamp for the sixth time this week, and it all just needs to stop right now." Well said, Steve.

Another Flixel tutorial, this time updated for version 2.

"Just for fun, I shoot one of [the hostages] in the pillow case. The head area immediately becomes a blur of pixels, just like you'd see if you were watching some graphic amateur camerawork on the news.<br />
<br />
The effect is unnerving. It's somehow more realistic and more disturbing than the cartoon splatter of bright red blood and bits of brain you see in most games. It taps into that part of the psyche which knows that if something's too horrible to be shown, it must be really horrible. Or is this just IO's attempt to get the game awarded a lower age rating?<br />
<br />
"No, not at all," says Lund. "This was an idea the team came up with – wouldn't it be fun to mimic that thing about something being too graphic, that documentary style? It's a good way of showing you got that headshot in a new way."<br />
<br />
That's marvellous (as is, from the sound of it, K&L2's take on "realism" – namely, that Police Camera Action is a more realistic aesthetic that 24).

"The best way to explain the difference between Blink and these two episodes would be to say that I think the best conceived movie sequel ever was Aliens following Alien. It took the same monster into an entirely different type of film." I love Steven Moffat very much.

"My main point brings me back to Pretending Apps. Because there are lots of other things you can steal from games, many other aspects of gaming that people find appealing and some of them might be more easily and usefully extracted." Yup. This was one of my main beefs with the whole "let's make everything playful/gamey!" trend that kicked off a few years ago: "game-y" was associated with "having points", and really, that's not what makes a game at all. (Other things that make a game: pretending, as Russell mentions, and visible mechanics, as I think I have to write about soon).

"There seems to be some sort of consensus that the highest form of play is fully immersive, interactive live theatre. Well not for me. The rhetoric of these things is often about people making their own choices, being free to act, creating their own narrative, etc, etc. And I always end up feeling like a piece, a pawn." Totally; not for me, either, though I'm not totally into "Social Toys" either – but Russell's points are perfectly valid and sensible. (I do like theatre, though). Probably ought to write more than a few hundred characters on this.

Solid illustration comedy gold, mainly from the 70s and 80s.

"I'm excited about digital books for a number of reasons. Their proclivity towards multimedia is not one of them. I’m excited about digital books for their meta potential. The illumination of, in the words of Richard Nash, that commonality between two people who have read the same book." Craig Mod, excellent as ever, on e-books. Whilst he mainly talks about type, his point runs far deeper.

Post-Eyjafjallajökull microfiction.

"Primarily, spaghetti code is a literary failing. Through my observations of the developers responsible for these wrecks — they often turned out to be poor prose writers and some were very arrogant about their coding abilities. I believe the core skill that these cowboys lack is that of editing – an instinctive drive towards pruning and tweaking that all good writers know is one of the most important components of literary creation." Some good stuff in here, especially around technical literacy (and, by extension, literate programming).

Quick tutorial in add_meta_box – the way to add custom fields to WordPress forms.

More clever stuff with dedicated post types in WP3; notably, adding custom fields to custom post-type forms.

"The Alot is an imaginary creature that I made up to help me deal with my compulsive need to correct other people's grammar.  It kind of looks like a cross between a bear, a yak and a pug, and it has provided hours of entertainment for me in a situation where I'd normally be left feeling angry and disillusioned with the world." Lovely. I would like an alot of my own one day.