• Bot that buys dirt-cheap goods on TradeMe and tells Twitter what it's buying/bidding on. Seems we need a Rule 38: if software is described in an XKCD comic, the chance of it being brought into reality approaches 1 as t approahces infinity.
  • "…the game of chess is much more than the set of instructions needed to move the pieces on the board: the players’ intellectual and emotional interaction during a game is also the system of chess. The media hubbub surrounding Kasparov’s loss to Deep Blue: that is chess. The southwest corner of Washington Square Park where New York City players wager, talk trash, and square off across stone tables: that is chess too." So much good stuff in this essay from Frank Lantz and Eric Zimmerman
  • In which Laura Parker looks at what "mainstream" games can learn from the type of success indie titles such as Limbo have had, with contributions from Nels Anderson, Manveer Heir, and – would you believe it – me. It's a really nice feature; I hope Laura can get more of this sort of stuff published on Gamespot, because it deserves a bigger audience than being buried on the staff blog.
  • "'…consciousness enables us to make conjectures in which someone called “I” can be seen in a hypothetical situation or a story; and from that flows the ability to make judgements, plans, decisions. In short, consciousness takes the vastness of the physical world, whose coordinates of time and space we cannot really grasp, and gives us a model, a working version – a simplified, toy version if you prefer – in which we can more usefully and successfully operate.’" Seeing the "I" in the world, as a way of making things understandable.
  • "HyperDock adds long awaited features to your Dock: Select single application windows just by moving the mouse on a dock item, use mouse clicks to quickly open new windows and many more." Nifty.
  • "Too many times proponents of interactive fiction talk as if it’s a new thing, as if interactivity were never part of the reading experience. How many of us has written in the margin of a book, turned down a corner of a page or smoothed the book back at a particular passage, felt our attention wander as we gaze out the window? We each interpret a story in different ways; it’s how we can re-read a book without getting bored, or watch the same film twice." This is cracking stuff from Kat; I am glad she's written it down.