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“I’ve tried hard to use [sequencers] but it’s blocks in different colours and I’m only used to just seeing the waves. I don’t need to listen much to the drums because I know they look nice, like a fishbone, rigged up to be kind of skitty, sharp.”
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“Will they build RAW converters for prehistoric digital cameras?” That’s not the only biggie Fraser asks in this thoughtful piece – most of our RAW workflows are awfully reliant on proprietary technology. What happens when it’s all obsolete?
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Photographs from Pirsig’s 1968 motorcycle roadtrip, which was the inspiration for “Zen and the Art of Motorcycle Maintenance”.