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"…you can’t help but wonder if there was some genius in the aggregate. Like Gerhard Richter’s “Atlas”, perhaps Winogrand’s greatest work wasn’t in the brilliant moments or creative editing, but in the Complete Everything, in the performative act of making hundreds of thousands of images, of the people, with the people?" Michael David Murphy on Gary Winogrand, and the value of his work perhaps being in the entirety of it.