08
December
2011

Links

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  • "It’s hard to believe that there was a time when any of these weren’t conventional wisdom, but there was such a time. Unix combines more obvious-in-retrospect engineering design choices than anything else I’ve seen or am likely to see in my lifetime.

    It is impossible — absolutely impossible — to overstate the debt my profession owes to Dennis Ritchie. I’ve been living in a world he helped invent for over thirty years."

  • List of all 58 fonts now in iOS, mainly for reference. (Although, eesh, Zapfino AND Papyrus? Really?)
  • Critical, critical, to the world we live in today.
  • "And all this time I can’t help thinking that this was because I’m working with games. If I was a fimmaker, this is issue would never crop up. But games have to constantly defend their status as a way of creative expression. When creating games, you are by default suspected of either selling out or producing nothing of value what so ever. Or both." Seriously, Vimeo need to sort this out: it's embarrassing, and contrary to the messages they send out.
  • "I wanted to talk about the Occupy $CITY movement here (in fact, that’s where this post started); a protest movement that is not about the event, or the movement through the city, or even the disruption per se. It is protest as part of the fabric of the city; a constant questioning and reassessment of a conversation with both the fabric of the city physically, economically and politically; taking the concept of Wall St and Main St and making it suddenly concrete, forcing a conversation to take place."
  • "If this doesn’t seem like a big issue imagine the state of cinema if film students were only able to study films made in the last two decades? Or if English Literature students no longer have the ability to examine the works of Shakespeare or Twain? What might be lost?" Seriously, companies: stop turning servers off. Processor power is cheap.
  • "Q: I don't imagine that a design meeting with Takahashi is a typical PowerPoint affair.

    A: He has singlehandedly invented the animated GIF as the design spec. It's fucking hilarious." Animated GIF as design spec. Superb. (And: nice interview with Stuart Butterfield about Glitch).

21
April
2010
  • "I'm excited about digital books for a number of reasons. Their proclivity towards multimedia is not one of them. I’m excited about digital books for their meta potential. The illumination of, in the words of Richard Nash, that commonality between two people who have read the same book." Craig Mod, excellent as ever, on e-books. Whilst he mainly talks about type, his point runs far deeper.
07
July
2009

Text In The World

After a long period underground, Ubisoft’s Splinter Cell: Conviction emerged at E3 substantially different to its previous incarnations. And whilst I, for one, am grateful for the removal of Sam Fisher’s trampy hairdo, the new feature that got me really, really excited seems to have passed with relatively little fanfare. Here it is:

Mission objectives – or, at least, reminders thereof – written into the environment, mapped over space, appearing to the player along; subjective and stylistic, but never part of a HUD. It’s classy and striking, and not something people are playing with in games nearly enough. Prior to this, easily my favourite type design in games came from Codemasters’ GRID:

which placed text into the world as first-class 3D objects, and let the player spin and pivot the camera around it, as if to emphasise both its subjectivity and genuine 3D-ness.

But this has been a thing in movies and TV for a while, now. Here’s JJ Abrams’ Fringe:

which even nails the reflections in the water. And, of course, one of the earliest points of reference for this in genuine 3D is David Fincher’s Panic Room:

which, as Ben has pointed out, owes a great debt to Saul Bass’ titles for North by Northwest:

which makes quite a nice list.

Links & notes for this month

Endnotes