"That struggle story — Man against company, or Man against Billionaire — is a crowd-pleaser. The actual struggle that interests me is against the current horrifying imbalance in global power and wealth, which is kind of abstract, doesn’t have a chiseled cartoon-villain billionaire in the cast, and is frighteningly large in scale.

Seriously; basically every reporter I’ve talked to has tried to get me to say awful things about Amazon and in particular about Jeff Bezos. But at my last job they taught me to think big and, with all his billions, Jeff is rounding error in the big picture. He’s not the problem; the legal/regulatory power structures that enable him and his peers is."

Tim Bray on monopolies and multi-millionaires, but really, on capitalism. Symptoms, causes.

"Once the pro­gram­ming went wonky on me and Tri­co re­fused to jump up to that first wa­ter­fall for a sol­id half hour. But I sus­pect that any soft­ware suf­fi­cient­ly ad­vanced to do what Tri­co does at some point be­comes in­dis­tin­guish­able from a cat." Tim Bray on The Last Guardian

"It’s hard to believe that there was a time when any of these weren’t conventional wisdom, but there was such a time. Unix combines more obvious-in-retrospect engineering design choices than anything else I’ve seen or am likely to see in my lifetime.

It is impossible — absolutely impossible — to overstate the debt my profession owes to Dennis Ritchie. I’ve been living in a world he helped invent for over thirty years."

List of all 58 fonts now in iOS, mainly for reference. (Although, eesh, Zapfino AND Papyrus? Really?)

Critical, critical, to the world we live in today.

"And all this time I can’t help thinking that this was because I’m working with games. If I was a fimmaker, this is issue would never crop up. But games have to constantly defend their status as a way of creative expression. When creating games, you are by default suspected of either selling out or producing nothing of value what so ever. Or both." Seriously, Vimeo need to sort this out: it's embarrassing, and contrary to the messages they send out.

"I wanted to talk about the Occupy $CITY movement here (in fact, that’s where this post started); a protest movement that is not about the event, or the movement through the city, or even the disruption per se. It is protest as part of the fabric of the city; a constant questioning and reassessment of a conversation with both the fabric of the city physically, economically and politically; taking the concept of Wall St and Main St and making it suddenly concrete, forcing a conversation to take place."

"If this doesn’t seem like a big issue imagine the state of cinema if film students were only able to study films made in the last two decades? Or if English Literature students no longer have the ability to examine the works of Shakespeare or Twain? What might be lost?" Seriously, companies: stop turning servers off. Processor power is cheap.

"Q: I don't imagine that a design meeting with Takahashi is a typical PowerPoint affair.

A: He has singlehandedly invented the animated GIF as the design spec. It's fucking hilarious." Animated GIF as design spec. Superb. (And: nice interview with Stuart Butterfield about Glitch).

"A decade or two ago I spent some days in a “study” in an old Oxford college: bed, desk, lamp, and a window with a view of the quadrangle; nothing else. It made an impression that hasn’t faded. Among other things, I made insane, immense progress on a difficult piece of writing at the front of my to-do list. Here’s a prediction: Geek fashion in particular and intellectual fashion in general will swing hard over: from cluttered to ascetic, from high to low entropy, from library to monastery." A few thoughts from Tim Bray – not all of which I agree with – on the changing geek aesthetic.

David Hellman releases hi-res assets of all the Braid artwork. It is beautiful, and am thinking about how best to use some of it on my desktop.