• "The point is that making one-click tools that force the entire web to play catchup, whilst putting people at risk, just isn’t a sensible way of talking about security. There’s a reason we (most of us, anyway) don’t secure our houses with turret guns and dogs, and that’s because most of the time, a lock and key is good enough. We want just enough security to feel safe at night, and not to cause us too much hassle. And that’s why this tool makes me sad. Because it’s a symbol of an arms race – a fight to the death over unimportant things, when really, I’d rather not have to remember to lock my windows at night." Yes.
    (tags: tomtaylor security firesheep )
  • "Today's video is 'Boys vs Girls', showing the relative points and badges etc. accumulated by boys vs. girls over the course of the day. It ends with a "get running, girls!" message, and I love that data visualization is being used as a way for a brand to tell a story, in something close to real time, in a specific way tailored to the events on the ground."
    (tags: narrative visualisation stories nikegrid stamen )
  • "I thought this was a fascinating take on the need within companies for stories… Companies spend a lot of money looking for these stories. Traditional product companies had to ask people and users to tell their stories, normally through market research. Web companies are at a huge advantage: they have rivers of usage data flowing through their servers, and the problem inverses – how to make sense and tease out meaning and interest from such a torrent." This is very good; I'm looking forward to future installments.
    (tags: data visualisation grindr griot stories chrisheathcote )
  • "If Ferelden has room for priests, elves, mages and golems then why doesn’t it have room for sceptics and scientists too?" Lovely notion – roleplaying an aetheist in Dragon Age (as best possible within the game). In this case, the player character believes in magic, but not in the montheist religion that much of the world ascribes to; miracles are really just magic at work. Subsitute "magic" for "science" and you begin to see his point. It's a nicely thought-through piece.
    (tags: atheism roleplaying games dragonage )
  • "The closer has confounded hitters with mostly one pitch: his signature cutter." Lovely motion infographics – informative, and powerfully confirming the narration.
    (tags: illustration graphics motion infographics baseball newyorktimes )
  • "The move during the past 10 years or so has been from cameras being precision mechanical devices to molded polycarbonate containers for electronic components. This has meant a lowering of overall physical quality. What one gets in terms of features, functions and image quality is higher than ever before, but the satisfaction of owning and using a high quality mechanical and optical device has for the most part evaporated. Only the top models within any brand produce a tactile satisfaction and please one's esthetic sense." The quotation is from Michael Reichmann; the discussion that follows is as thoughtful as usual from TOP's readers.
    (tags: quality manufacturing photography cameras satisfaction enjoyment )
  • "Nethack does what computers do best – what computers were invented for. It hands you a symbolic representation of something, and lets you interact with it. The symbols are utterly mundane … but the interaction is extraordinarily complicated. Interacting with the game of Nethack can be glorious, frustrating, hilarious, and satisfying. Like any great game, it's even fun to watch and talk about when played by others. There are probably more web pages of people telling their Nethack war stories than there are pages discussing the game itself.<br />
    <br />
    This is one of those pages. I'm writing this because, after twenty years of playing, I finally completed the game." It's quite a tale, and full of glimpses of secrets I never discovered. Always more of a rogue man.
    (tags: yaap nethack ascension roguelike games stories writing )

Blank sheets

19 February 2010

Rod’s been exploring writing fiction with Twitter, exploring its “office-desk rather than kitchen-sink realism“. He goes on:

Or rather: I wanted to start from that realism, because no-one, when they write “running” on Twitter, is actually running. They’re reporting after the fact, announcing an intention, or fabricating. Which is the second interesting thing – Twitter’s performativity. Twitter is as much theatrical performance as conversation. Un-realism.

So: a story empty of character and reasonable plot, and a blank-sheet MacGuffin. A story for an audience of 85, and a tentative use of direct messages that only a few of the audience will receive.

I didn’t know it was happening until it was, if you get my drift; messages from a commute slowly turning into narrative as the day went on. Seeing it all joined together is both a revelation and a dilution: a story laid out, but divorced from the trickle that made it so compelling.

(Rod also tips a hat to my Twit 4 Dead bots, which is very kind of him. I’ve slowly been poking at a new set of zombie-hunting narrative bots; the new ones have a few new features to enable better storytelling – notably, the ability to have responses specific to one another, rather than only specific to the situation. The main use is so that they can tell Ellis to shut up, but I’m thinking I’d like to apply the acting framework to an original work. That might be a long way off, though. But: thoughts worth jotting down).

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