Wonderful short fiction from Saxey.

Oh, awesome: a Pinboard Share extension for iOS 8.

New Danny Macaskill video: off-road (off ALL the roads) in Skye. Remarkable. Also: so much dronecam in biking videos now. (Nicely shot, thoguh).

Really, really useful: a tool from @mnot to test headers, caching, and responses to webpages. Will be using this a lot in future, am sure.

"The water that falls on you from nowhere when you lie is perfectly ordinary, but perfectly pure. True fact. I tested it myself when the water started falling a few weeks ago. Everyone on Earth did. Everyone with any sense of lab safety anyway. Never assume any liquid is just water. When you say “I always document my experiments as I go along,” enough water falls to test, but not so much that you have to mop up the lab. Which lie doesn’t matter. The liquid tests as distilled water every time." A truly lovely short story from John Chu.

The most useful tips in here: set the right headers; set the body of the response to an enumerator and it'll iterate over it, streaming it.

Some great Chess writing from Slate.

"‘If all that survives of our fatally flawed civilization is the humble paper clip, archaeologists from some galaxy far, far away may give us more credit than we deserve,’ the design critic Owen Edwards argues in his book Elegant Solutions." An excerpt from a Joe Moran essay on the paperclip.

"pup is a command line tool for processing HTML. It reads from stdin, prints to stdout, and allows the user to filter parts of the page using CSS selectors.

Inspired by jq, pup aims to be a fast and flexible way of exploring HTML from the terminal." That looks great.

"Something that journalists sometimes do is publish a disclosure statement. It’s sort of like an About Me page except it’s a listing of all their conflicts of interest—all the areas of coverage where you might have good reason to think they should not be trusted. It’ll say things like I once worked at Google or I’m married to an employee of Microsoft. I have never written one of these but I have fantasies about doing a comprehensive one. It would be the length of a novel, I think. An endless and yet incomplete litany of all the blood, privilege, history, and compromise on my hands." I could have quoted lots of this, but I chose this. It's good. It encapsulates the beginnings but not ends of lots of thoughts, and reminds me why, right now, I'm afraid of assuming anything about anything, why stereotyping "big companies" as being identical isn't just inaccurate but also unhelpful, and why the point of boundaries is that they always exclude _somebody_.

"Hatoful Boyfriend is the Fifa of pigeon romance and you should buy it for that reason alone." I'm loving the attention Hatoful Boyfriend is getting in the media; this review by Grant Howitt is charming, informative, and on the Guardian website. Brilliant.

Cracking interview with George Saunders, from 2011 (so pre-Tenth of December). Lots about the craft of writing, and about what Just Turning Up looks like. Also, his imaginary writing class in which Hemingway punches everybody out made me laugh out loud.

"Of course this is pure anthropomorphization. Bits don’t have wills. But they do have tendencies." This piece by Kevin Kelly is great – though this line neatly explains my suggestion that 'things' sometimes have 'desires' better than I ever have before.

Good to know SES can just be integrated as an ActionMailer delivery method.

Sixty years earlier, a precursor to Warren Ellis' _Lich House_. The terrors of the future are not those we have – the Cold War still looming large. But the depiction of the future is, whilst regimented and picket-fence-utopian… also charming. The childrens' bedroom, in particular, made me smile and want to visit; not nod knowingly at the cleverness. When we write stories about the future, it's important they're still stories.

"A little paper tiger stood on the table, the size of two fists placed together. The skin of the tiger was the pattern on the wrapping paper, white background with red candy canes and green Christmas trees.

I reached out to Mom's creation. Its tail twitched, and it pounced playfully at my finger. "Rawrr-sa," it growled, the sound somewhere between a cat and rustling newspapers."

Ken Liu's "The Paper Menagerie" is just a lovely short story. Sad, deft, minimal, very much worth your time. Might have had a little sniffle.

A short story by Jon Ingold. When I first read this, in a Cambridge May Anthology, I thought "this chap must write Interactive Fiction". It turns out he does, and writes very good IF. He's also a maths teacher now, I believe – but he also wrote this several years ago, and it's a lovely little short story about all the things you can only do in writing.

"What this magazine requires," he said, "is red-blooded, one-hundred-per-cent dynamic stuff, palpitating with warm human interest and containing a strong, poignant love-motive." "That," we replied, "is us all over, Mabel." "What I need at the moment, however, is a golf story." "By a singular coincidence, ours is a golf story." Lovely short Wodehouse about the coming of Gowf to a far-off land.

"Perhaps we should be turning up at the cinema expecting more stories about resilience, or reports from the future where the problems are what to do with limitless energy, or Japanese consciousness multipliers, rather than dustbowls and gasmask hipsters. Authors: is that nihilism really what you want to leave behind? Your silhouette a stoop, rather than a hurrah?" Jim, quite rightly, likes his "shiny retro shit".

Strictly speaking, "The Best of *American* Journalism", but there's lots on here I'd like to read sometime.

"You're not understanding, are you? You're refusing to deal with what I'm telling you. The brain does the thinking. The meat."

"You're not understanding, are you? You're refusing to deal with what I'm telling you. The brain does the thinking. The meat."

"YouTube has confirmed its first live major sporting deal, announcing today that it will host live Indian Premier League cricket matches in the UK, and casting into doubt the value of British TV broadcast rights." Wow. Awesome!

“This is who we are.” Duncan Fyfe is writing again; twelve short stories – presumably, one a month – set in the world of games. Writing fiction about something as a way of writing about something; he ends up with not only good – and acute – games writing, but just good writing, plain and simple. So good to have him back.

"The amygdala is the “fight or flight” and emotional memory part of the brain. Its job is to protect by comparing incoming data with emotional memories. An amygdala hijack occurs when we respond out of measure with the actual threat because it has triggered a much more significant emotional threat." Wow, there's actually science behind that feeling. Useful to give it a name, too.

"This is why I tell people over and over again: you cannot trust what you see even with your own eyes. Your eyes are not cameras faithfully taking pictures of absolute truth of all that surrounds you. They have filters, and your brain has to interpret the jangled mess it gets fed. Colors are not what they appear, shapes are not what they appear (that zoomed image above is square, believe it or not), objects are not what they appear." This is crazy – and one of the few optical illusions I've seen that still works when zoomed-in super close. It's so hard to make head or tail of.

"So, to sum up: Transformers: Revenge Of The Fallen is one of the greatest achievements in the history of cinema, if not the greatest. You could easily argue that cinema, as an artform, has all been leading up to this. It will destabilize your limbic system, probably forever, and make you doubt the solidity of your surroundings. Generations of auteurs have struggled, in vain, to create a cinematic experience as overwhelming, and as liberating, as ROTF." This review is, essentially, amazing, and has elevated ROTF to a must-see for me.

"I'm continually drawn in by the belief that everyone finds their own way through life, age, cities, networks, whatever. And as Meehan's tale recounts, it's the whispers we leave on the wind that entice others to follow our hints." Just go and read the story; it's wonderful, and the fragments George picks out so carefully constructed. That made my evening.