15
October
2009
06
May
2009
  • "They're like triple-A games, but trimmed down and tightened to fit a smaller team, smaller scope, and usually a smaller audience– to try new, interesting, and exciting approaches that the baggage of a triple-A game can almost never allow. Single-A games: they're what we need more of, and they're what The Path and Zeno Clash are outstanding examples of." I like your coinage, Steve.
  • "The Whale Hunt is an experiment in human storytelling." 3000+ photographs, with what seems like a confusing-and-shiny interface to explore them – but hides a detailed metadata manipulation layer underneath. Beautiful pictures, too. Something really quite special; the "interface" pages should explain more.
  • "Still, overall, Left 4 Dead's opening cinematic is a shockingly complete primer to the rest of the game. With only a few exceptions, almost any player going into Left 4 Dead for the first time will know exactly how to play the game: they already know the gameplay, the weapons, the enemies, the win scenario and the strategies they need to get through the game alive… the only thing not covered in the opening movie is the specifics of the interface." Yes – had this exact same conversation a few days ago. Although John is awfully down on Louis, which seems a tad unfair…
  • "The obstacles that exist are mere impediments to my motion, puzzles placed only to slow me down or stop my free-flow kinetic improvisation. No time to think or overanylize, only time enough to move. This is what the essence of gaming should feel like: a sincere, wholehearted attachment to the action (or actions) that one sets into play. It is a moment where the motivation at hand is intention only, whose aim is exploration and discovery, refined. It is the escape, distilled and realized." GWJ on Mirror's Edge, and never rewinding, never looking back.
  • "Metro Rules of Conduct is a game about the awkward situation of commuting in my hometown, Stockholm. Look at mobile phones, MP3 players and breast for score, but whatever you do – avoid eye contact!" Wonderful; the art-style works really well, as does the head-bob.
  • "Melville was torn between writing a ripping nautical yarn and a metaphysical odyssey, and it shows. Rockstar was torn between constructing a sandbox and a stage, and it shows. The result was a tenuously fused work of genuine Americana: a disorderly paean to the American city, a bit of ultraviolence, a stonkingly beautiful soundtrack, a fable, a simulation, a gonzo critique of capitalism. It's a game we deserve. " Pliskin on what GTA4 meant. Perhaps hyperbolic, but it's an important signifier of this year. The Redding quotation about Far Cry 2 is also a stonker.
  • All 226 entrants for the 2009 IGF. Heard of – and played – some of these, but many are unknown. Exciting to see the list, though, if only to be reminded that there's this many games being made and funded independently, at the large and small scale.
  • "aphex twin + vassily kandinsky + doom 2" – now that's a tagline.
  • "this portion of moby.com, 'film music', is for independent and non-profit filmmakers, film students, and anyone in need of free music for their independent, non-profit film, video, or short… the music is free as long as it's being used in a non-commercial or non-profit film, video, or short. if you want to use it in a commercial film or short then you can apply for an easy license, with any money that's generated being given to the humane society." Moby is smart when it comes to licensing his music. I think this is a really good move, and not something you'd expect from a major recording artist.
  • "For one, there's an undercurrent of a siege mentality in journalism right now, with newsrooms cutting staff and print operations frozen stiff in the headlights of the internet. The focus on narrative and story gives a softer edge and an escape valve, though – this group is not primarily a tech-driven community, but they catch on to new developments quickly and bend them into the service of storytelling." Interesting round-up from Mike, particularly with respect to the NYT's election coverage.
  • “You know what a sign of love is, in this family? It’s if you come home and the elevator is on the ground floor,” says Linda. “Because that means whoever came home before you walked up twelve flights of stairs.” Fantastic article about Jay Maisel's house.
12
September
2008

TIGSource Bootleg Demake Competition

Introducing: the TIGForums Bootleg Demakes competition. To explain:

The term “demake” was most likely coined by one Phil Fish, to describe a remake of a game on older-generation hardware (or, more likely, a remake that is made to look as though it were running on older-generation hardware). The most obvious demake is, of course, the 3d-to-2d demake.

Got it?

And to explain their notion of “bootleg”:

The term “bootleg” generally means “unauthorized or unlicensed copy.” For this competition it means that you cannot use any trademarked names or ripped materials. Everything must be 100% your own (although obviously inspired). Think “Cogs of Conflict,” “Master Chef,” “Great Giana Sisters,” etc. It is your decision how far to take the bootlegging, but under no circumstances can you violate someone’s intellectual property.

Sounds good so far. What blew me away was the quality of the responses in the month since the competition began.

Here is the post summarising every game that has some form of playable code. As you can see, there’s a lot, and they’re all worth a dig – some are funny, some are clever remakes, some are remarkable technically, and some play with the original game concept.

Highlights include:

But three really stand out for me.

The first is Super 3D Portals 6, a Portal demake for the Atari 2600. Not “2600-style”; this is actual code that will run on 2600 emulators, and thus should do so on a real 2600 as well. Outstanding for its commitment to retro-dom. (Note: I believe this was completed before the competition was launched, but it’s so awesome I don’t care).

The other has been linked up in many places, and is just remarkably thorough: Soundless Mountain II. The thread is long, and covers a lot of development, but the NES-style survival horror has some impressive touches and is clearly a real labour of love.

I think my favourite demake in the competition turned out to be STACKER: Nuclear Scavenger. The title screen makes it look like a STALKER demake, but in fact it’s so much more: it takes Diablo II-style inventory management, adds a Russian twist… and turns into a Tetris-clone. The more I think about it, the more it makes me smile. Gaming reduced to inventory management. Fantastic.

Anyhow, I thought all the games in the competition deserved bringing to people’s attention, and so that’s what I’ve done. I’m off to sit in a tent for a few days. Back soon!

Links & notes for this month

Endnotes