08
September
2008
18
November
2007

design

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Deliberance

Time for my second post about the Epson R-D1, which I was lucky enough to play with when my colleague Lars bought one recently.

Along the top surface of the camera is what looks like a film-advance lever: the winder you crank to move to the next shot on a film camera. Obviously, there’s no film to advance on the digital camera. But the lever still serves its other traditional purpose: it re-cocks the shutter for another shot.

I’ve marked it in the photograph below.

Initially, I thought this was another of the R-D1’s ersatz “retro” features. After all: there’s no real need for such functionality. Even the Leica M8 abandons the film-advance lever. But once I used the camera, the lever made sense to me.

Firstly: it’s somewhere to rest your thumb. That may sound like a silly thing to say, but if you’ve ever used a rangefinder, or an old SLR with a slim body and no moulded grip, the lever becomes a useful way to counterbalance the body in your hand. It’s nice to have that familiar anchor-point to rest on.

But far more importantly than that: it makes the act of taking a photograph more considered. It brings to mind one of my favourite quotations about photography, from Ansel Adams:

“…the machine-gun approach to photography is flawed… a photograph is not an accident; it is a concept.”

I love that. Photographs are not something that is taken; they’re something that is made. An image is considered, composed, and then captured. And the life of that image ends there. To take another, you must re-cock the shutter, and start again.

And so the shutter-cocking lever makes the very act of making a photograph with the Epson more deliberate. That “ersatz” retro touch is actually fundamental to the way the camera demands to be used. As a result, you end up taking fewer photographs with the Epson - there’s none of the mad “double-tapping” that sometimes becomes habit with a DSLR. It feels more genteel, more refined - and I think the pictures you end up making with it are all the better for that.

07
November
2007

Swings and readouts

My colleague Lars has just bought an Epson R-D1. If you’re not aware of it, it’s a digital rangefinder (roughly modelled on a Voigtlander) that takes Leica M Bayonet lenses, is hard to find, and noticeable cheaper than a Leica M8.

Epson R-D1

It’s obviously a niche camera: M lenses aren’t common nor cheap, the rangefinder is hardly a mass-market camera paradigm these days, and it’s largely manual - aperture priority, manual focus.

One thing that really caught my eye - and that I initially dismissed as ersatz Japanese retro-fetishery - was the readout on the top. Which looks like this:

To explain: the largest hand, pointing straight up, indicates how many exposures are left on the current memory card. As you can see, the scale is logarithmic - 500+ is the maximum, and as it counts down, the number of remaining exposures is measured more accurately.

The E-F gauge at the bottom measures not fuel, but battery power.

The left-hand gauge indicates white balance - either auto or one of several presets.

Finally, the right-hand dial represents the image quality: Raw, High, or Normal.

Once you know what it means, it’s a wonderfully clear interface: your eye can scan it very quickly. It’s also hypnotic watching it update. To alter the image quality, for instance, you hold the image quality lever with your right hand and move the selection knob (positioned where the film-rewind would be on a Leica) with your left. As the quality alters (and the rightmost needle flicks to the appropriate setting), the exposures-remaining needle swings around to reflect the new maximum number of pictures.

You can’t always see the benefits of analogue readouts in still photographs; this one is a case in point. Once it starts moving - and you start having a reason to check that readout - their clarity becomes immediately obvious.

So whilst I may have thought this kitsch to start with… it turns out to be one of my favourite features on the camera.

(As for that manual “film advance” lever… I’ll write about that in another post. It’s something I found similarly kitschy to begin with, but understood in the end.)

Links & notes for this month

Endnotes